Philippe Jousse first used his eye in the field of photography (in particular he was Guy Bourdin’s occasional assistant). Shortly thereafter, he discovered the work of Jean Prouvé and developed a passionate interest in post-war furniture. In the early 1980s, he gave up all his other activities and became involved in promoting, among an early generation of art lovers and collectors, artists who were then forgotten about or overlooked: Jean Prouvé, Charlotte Perriand, Alexandre Noll, Jean Royère, Mathieu Matégot, Pierre Jeanneret, Georges Jouve, Serge Mouille… who had all absorbed and transformed the legacy of modernism and Le Corbusier. After a few years spent working among ever more informed connoisseurs, in 1987 Philippe Jousse organized an ambitious project : the first retrospective exhibition of the work Charlotte Perriand, accompanied by a publication.

Since then, Philippe Jousse has consistently played an essential role in the development of the tastes and likings of private collectors and museums, French and foreign alike, in favour of the modernity of that period. He also became interested in younger artists, particularly in the field of ceramics, such as Kristin McKirdy and Emmanuel Boos.